
found chair, acrylic paintings on burnt canvas, thread, ceramics, and custom-built table
William-Johnston Building (WJB) Gallery, Tallahassee, FL, 2026
“Ysabel Flores offers an installation shaped by longing, fragmentation, and the quiet rituals that carry ancestral memory. Raised in Rorida as a Filipino American, the artist grew up at a dining table that served as both a kitchen and a classroom, it was a place where homework and meals unfolded side by side, where pan de sal arrived as a small morning ritual, quietly linking her to a homeland she knew through taste, and where Tagalog and English intertwined without hesitation. By hand-forming bread from clay. Flores transforms an everyday staple into sculpture, turning nourishment into a vessel that holds labor, inheritance, and the weight of tradition carried aprass distance Oriraw, unstretched canvas, landscapes from Tallahassee’s Lafayette Park appear as viewfinders-openings through which thought, memory, and longing drift, tracing circular paths that measure the space between here and an imagined Phillippines. Burned holes, frayed edges. and partial renderings welcome uncertainty, acknowledging what memory sannot fully retrieve. Here, in what remains, home emerges through the fragment-reshaped, relearned, and continually made anew” – Sara I. Rodríguez Rivera


acrylic on burnt canvas and thread
31 in. 22 in., 2026

acrylic on burnt canvas and thread
35 in. x 25 in., 2026

acrylic on burnt canvas and thread
37 in. 26 in., 2026

acrylic on burnt canvas
32 in. 21 in., 2026

clear-glazed stoneware
dimensions vary, 2026

clear-glazed stoneware
dimensions vary, 2026


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