Lingering Over What Remains, 2026

Lingering Over What Remains
found chair, acrylic paintings on burnt canvas, thread, ceramics, and custom-built table
William-Johnston Building (WJB) Gallery, Tallahassee, FL, 2026

“Ysabel Flores offers an installation shaped by longing, fragmentation, and the quiet rituals that carry ancestral memory. Raised in Rorida as a Filipino American, the artist grew up at a dining table that served as both a kitchen and a classroom, it was a place where homework and meals unfolded side by side, where pan de sal arrived as a small morning ritual, quietly linking her to a homeland she knew through taste, and where Tagalog and English intertwined without hesitation. By hand-forming bread from clay. Flores transforms an everyday staple into sculpture, turning nourishment into a vessel that holds labor, inheritance, and the weight of tradition carried aprass distance Oriraw, unstretched canvas, landscapes from Tallahassee’s Lafayette Park appear as viewfinders-openings through which thought, memory, and longing drift, tracing circular paths that measure the space between here and an imagined Phillippines. Burned holes, frayed edges. and partial renderings welcome uncertainty, acknowledging what memory sannot fully retrieve. Here, in what remains, home emerges through the fragment-reshaped, relearned, and continually made anew” – Sara I. Rodríguez Rivera

Installation view, Lingering Over What Remains, 2026
Through the Trees
acrylic on burnt canvas and thread
31 in. 22 in., 2026
Watery Peephole
acrylic on burnt canvas and thread
35 in. x 25 in., 2026
Sunny Welcome
acrylic on burnt canvas and thread
37 in. 26 in., 2026
Around the Corner
acrylic on burnt canvas
32 in. 21 in., 2026
Pan de (____)
clear-glazed stoneware
dimensions vary, 2026
Pan de (____)
clear-glazed stoneware
dimensions vary, 2026
Detail, Through the Trees, 2026
Found chair and custom built table view, Lingering Over What Remains, 2026